Featured
William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
This inspiring show celebrates the 100th anniversary of the founding of The Bauhaus.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
Overall, Juliana Hatfield’s Weird is closer to good than to great.
Climax may be the director’s most fully realized attempt so far to suggest a state of madness onscreen.
Luca Guadagnino’s Suspiria is a landscape of the shadowy feminine, steeped in ancient magic, willful evil, and the cyclical round-de-lay of death and rebirth.
The BSO recently announced an extension to artistic partner Thomas Adès’s contract. It is lucky to have him. So are the rest of us.
To be truly effective black humor must have us laughing at something we fear, regret, or at the very least recognize.
Recent Comments