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The show cemented Joe Jackson’s reputation as an inscrutable and enigmatic songwriter, a talented musician and social outsider who speaks for Everyman.
Albert Finney was the greatest interpreter of England’s gift to the world of contemporary theater, the Kitchen Sink Drama.
It is safe to predict that the winner in this category will be one of the entries that squares off against mortality.
This studio outing emphasizes superb ensemble playing; the result in a beguiling album in which just about every note shines.
Anchored by the assured direction of Cailin Doran and Jade Wheeler’s dazzling performance, Who is Eartha Mae? sings with truth.
I find it a little disturbing how The Soprano’s themes seem to have culminated in the election of our current President.
Despite the soap opera details, Everybody Knows never becomes implausible.
The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
Arts Commentary: My Blackface Confession
Did I try to fit in at my segregated school, betraying my father and his values to be a popular white boy?
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