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This biography of Lucy S. Dawidowicz performs the invaluable function of gathering relevant documents and drafting a narrative that rescues a fascinating historian from oblivion. But it does not add much to the history of the New York intellectuals.
Do not despair! Those who missed the Fusical on December 4th can still experience the stellar musical showcase.
A delightful translation of AntonTon (Antuntun in the original Croatian), a story about a “unique guy who does everything his own way“; whether you’re a classical music aficionado or novice, Carnival of the Animals would make a good introduction to the genre to share with children and grandchildren.
The series’ inspirational message comes at a good time in our crisis-ridden country, but its focus on reassurance isn’t very dramatically compelling.
The film allowed me to see the dancers’ connections to each other, and their connections to the quarries themselves.
This small jewel of a show has been a Bronx-based treasure for the last seven years, but now, “thanks” to COVID-19, it is available to anyone, anywhere in the world.
Dohnányi and Schnitzler’s “pantomime” The Veil of Pierrette receives its first, and resplendent, recording.
These are trying times for nonprofit publications like ours and for the arts — our publication plays a crucial role in maintaining the cultural ecosystem.
Jack Taylor’s awareness of his own depleted condition is part of A Galway Epiphany’s Beckett-infused drama.
Jazz Appreciation/Album Review — Carla Bley, 84 and Counting
Carla Bley’s last three CDs are not a casual sequence, and hearing all of them together, as I did recently, provides a refreshing reminder of her greatness.
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