Featured
It should be no surprise that Sawyer seeks and finds new sounds on Less Than More Than. The EP is a deep dive into synth-driven pop that expands on the band’s philosophy.
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Filled with galoots of all kinds, the novel might not have any true reason for existing, nor may it have any reason to end. But heck, it’s a good, old-fashioned, medicine show of a read.
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In the end, The Trial of the Chicago 7 strikes a reasonable balance between historical document and cinematic art.
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White Noise is neither a polemic nor an exercise in agitprop: it is a journey into the dark center of a reprehensible movement that is growing more vocal every day.
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A round-up of fresh performances of Beethoven Concerti.
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It’s as if Moshfegh is testing the furthest limits of a “red herring”: what if everything is red and everything is herring?
Swamp Thing is downright ornery, at times questioning political and corporate power as well as environmental protections.
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A welcome political homage to Woody Guthrie, a new recording of Ethel Smyth’s 1931 choral symphony makes a strong case for a full reconsideration of her output, and David Lang’s rejiggering of Beethoven’s Fidelio is both stirring and timeless.
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This fascinating book, and the rich literature of films and writings around it, have helped me feel a bit more positive about these shrunken times.
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Visual Arts Commentary: America’s Historical Monuments — Under Reconsideration
The Dwight D. Eisenhower Memorial is the latest product of our heated social/political/cultural debates about America’s memorials and their vision of the country’s past, present, and future.
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