Featured
The authors assembled in “Crimean Fig” demonstrate they are unafraid to speak up for Tatar language and culture, while simultaneously speaking out against Putin, unwilling to submit.
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Knowing that artist Peter Hujar died of AIDS in 1987—one of countless casualties of a devastating epidemic that cut short so many artists’ lives—gives the film a sad, mortal urgency.
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“The Seduction” is visually stunning but, even though it is the magnificently clothed French aristocracy, it all comes down to unremarkable people behaving badly.
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Reading “February 1933”, just ten months into Trump’s second mandate is nothing less than unnerving.
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This week’s poem: Sam Cha’s “Have you heard the one”
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“Stumble” is a welcome addition to the increasingly tired mockumentary genre.
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Elizabeth Howard speaks with Dr. Shuvendu Sen—the director and producer of “Broadway, Bars & Fortune,” a documentary that explores how theater and the arts fosters healing and redemption among formerly incarcerated individuals.
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There’s no question that the author of “Criss-Cross” approaches “Strangers on a Train” from a gay-centric viewpoint.
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Luke O’Neil doesn’t have any solutions to our political dissipation, but he certainly knows how to diagnose its illnesses.
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Jazz Commentary: The Enduring Enigma of Chet Baker
I take a look back at the compelling documentary “Let’s Get Lost” because of the recently released “Chet Baker Performs and Sings: Swimming by Moonlight”, 15 unreleased studio recordings made by the trumpeter.
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