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Christine Smallwood’s courage in looking at the way things are — for many of us — makes this novel about the pervasiveness of angst a subtle, empathetic accomplishment.
This is a noble effort to reconcile with the Southern past — but are suggested changes in nomenclature — rather than statements of moral and political clarity — good enough?
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
This disc stands comfortably in the company of Beethoven and Bartók performances by the Emerson, Tákacs, Alban Berg, and Juilliard Quartets.
We are subtly drawn into the world of director Robert Machoian’s characters and their emotional honesty.
Spiral is content to be a satisfying thriller that mechanically delivers as its murderous pace picks up.
In her new album, Juliana Hatfield’s concerns are comeuppance, self-abasement, and the depravity of those who revel in the power to make decisions that can adversely affect others.
What motivated me to read this book? Not for a special love of Midnight Cowboy, a movie which I like but isn’t ultimately important to me. It was to learn about James Leo Herlihy, who has interested me since I was an adolescent.
The strength of Roundabout of Death lies in its credibility, and in a specificity that defies detail.
A pair of documentaries about the most popular guitar-driven instrumental bands of all time.
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