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The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.
Director Frank Borzage’s wonderful 1937 History Is Made at Night, newly restored and released on Blu-ray and DVD by the Criterion Collection, defies pigeonholing.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
An American Mosaic is a fascinating study of how a contemporary composer can fuse the gestures and syntax of a tradition rooted in Bach with contemporary sensibilities.
Undine is a film best savored (and best absorbed) with a second viewing. Viewers must be open to its charms, perhaps allowing memories of the primal to seep into their consciousness.
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
If you’re up for a lofty challenge, the experimental British rock outfit Black Midi is more than poised to fill the void.
The path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.
THE ARTS FUSE TURNS 14! — Our Spring Appeal
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