Featured
To always be listening more and to therefore always be listening differently is of course the very nature of fandom, and to call What’s Good the work of a fan is not a putdown.
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Aside from the multiple awards Dune won for technological brilliance, the 94th Academy Awards was a very different sort of “Hooray for Hollywood.”
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Once Twice Melody goes about refining rather than changing Beach House’s vision of dream pop.
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In Lowell, America played to a packed, enthusiastic, Centrum Silver-popping crowd who sang along with the band’s impressively deep roster of hits.
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Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
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A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
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This is an immensely complex, deeply atmospheric story of the working class, of immigrants with global origins, many who are descendants of early settlers.
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Jean-Michel Pilc is a talented pianist who expresses his happiness at just being alive via performances that treat the most revered standards in a manner that is wholly personal, even idiosyncratic — yet memorable.
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This is a great book for anyone who wants to understand the early days of online communications.
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Arts Commentary: The Oscars 2022 — No Longer So White, But Still Not So Hot
It was soon clear what Oscar was after: two separate younger demographics — one with plebeian cinematic tastes, the other with hip politics.
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