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The sound of both musicians is indelible: trumpeter Enrico Rava is warm and rounded; pianist Fred Hersch, often icy, is fetching and detailed.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
The Shores of Bohemia is clearly a labor of love, and a worthy one. But John Taylor Williams’ idea of “a group portrait,” however attractive, proves impossible to pull off.
The Rose Kennedy Greenway’s Dewey Square mural program is one of the best in the world.
Action and kids film director George Miller goes the adult fantasy route.
Three recent documentaries explore the worlds of three masters of disparate but complementary art forms: photography and cinema, sculpture and painting, and toilets.
It is always heartening for an album to live up to its much-anticipated buildup. It is even more reassuring that, after nearly four decades, The Goo Goo Dolls are breaking new ground.
Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
Poet John Koethe moralizes in an abstract “universal” space — some might call it versifying in a vacuum.
An opera from Fascist Italy, Gino Marinuzzi’s Palla de’ Mozzi receives a splendid world-premiere recording. Should you listen despite its pedigree?
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