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em>Realistic storylines ground Platonic‘s comedy in recognizable trials and tribulations — and usefully steers it away from the tired can men-and-women-be-buddies debate.
This album may be too mellow, too grim, too serious for the average listener but hear me: This is an amazing and important work of art, quite possibly the legendary songwriter’s own elegy.
The biography is a workmanlike introduction, valuable because it brings a measured understanding to Osip Mandelstam’s life and poetry as well as to the horrific decades he lived through.
On Remedy, Gozu sharpens and refines the strengths in its earlier recordings as it infuses into these new songs a finesse that doesn’t undercut the power of the music’s brute force.
Jonathan Berger’s remarkable chamber opera about the Mỹ Lai Massacre is a powerful artistic and anti-war statement.
Among its many virtues, this archival live release from Stephen Stills reminds us of an era when great music was human-generated — written and performed with love.
There is little doubt that Joyland‘s subject matter is what drew international attention.
The documentary tries to tell the story of the real Anna Nicole Smith, but it falls short.
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
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