Featured
Gigs by superb bands led by Mary Halvorson and Mehmet Ali Sanlıkol at the Regattabar.
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Two outstanding films from this year’s Toronto International Film Festival — “The Tale of Silyan” and “Wrong Husband”
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“If my work does have a recurrent theme, it is the pressure of the political/historical moment on individual choice.”
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In this conversation, host Elizabeth Howard talks with Seton Hawkins, the Director of Public Programs and Educational Resources at Jazz at Lincoln Center, about Jazz at Lincoln Center Orchestra’s “Mother Africa” season.
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Playwright Eboni Booth won last year’s Pulitzer Prize for Drama for this script, and it is a heartwarming, well-constructed, one-act.
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Cowboy Junkies has simply been too busy to wallow in the past, which has meant a lot of great songs have been untouched in concert.
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“HIM” works incredibly well as a Grotesque, and by that I mean the film takes the incipient, creepy ideologies of pro football and blows them up to terrifying and absurd proportions.
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Of special interest is Askold Melnyczuk’s treatment of objects. His imagination transforms curios into uncanny artefacts.
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What has made for a successful life in the theater? Living by the values Vincent Murphy imbibed as a member of Boston Children’s Theatre in the ’60s: “cooperation, creativity, listening, and play.”
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The week”s poem: January Gill O’Neil’s “America, What Dream Do You Dream?”
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Arts Commentary: Rich in Creativity — But Nothing Else