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Film Review: Kelly Reichardt’s “The Mastermind” Turns Art Theft into Existential Drift

October 22, 2025
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“The Mastermind” points to the impossibility of trying to live as though the outside world and its politics don’t exist.

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Dance Review: From Light to Darkness, Music from the Sole Finds Its Groove

October 21, 2025
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The blend of rhythmic dance and gorgeous music made for a very harmonious collaboration.

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Visual Arts Review: Enduring Abstraction — Indigenous Artists Reclaim the Present at the ICA

October 21, 2025
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By engaging with this work, museum visitors are likely to gain a greater appreciation for — and understanding of — the wide-ranging talents of Indigenous artists.

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Book Review: Ha Jin’s “Looking for Tank Man”: Memory, Erasure, and the Weight of Exile

October 21, 2025
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This is the story of powerless little people caught up in a confusing maelstrom, at the receiving end of senseless violence.

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Book Review: “I Knew a Man Who Knew Brahms” — Nancy Shear’s Harmonious Life in Music

October 21, 2025
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How our memoirist and the man who shook Mickey Mouse’s hand crossed paths is characteristic of the author’s good fortune and perseverance.

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Film Festival Preview: GlobeDocs Film Festival 2025 — A Varied Mix of Documentaries

October 20, 2025
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Our critic watched a half-dozen films in this year’s GlobeDocs Film Festival and shares his thoughts.

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Film Review: Hal Hartley’s “Where to Land” — Intimations of Mortality

October 19, 2025
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Director Hal Hartley is an old-school romantic, one who sees human frailty and longing not as invitations to despair but as reasons to take part in the joy of living.

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Musician Interview: Ryan Lee Crosby on Playing the Blues at The Blue Front

October 19, 2025
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By Matt Hanson There’s an enticingly primeval quality to the way bluesmen Ryan Lee Crosby and Jimmy “Duck” Holmes play off of one another. Willie Dixon once said that “the blues are the roots, the other musics are the fruits.” We all know by now how plenty of world-famous bands have harvested those influences. So…

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Classical Music Album: Kevin Puts’ Orchestral Works — Plenty to Admire, Even Love

October 19, 2025
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This is a terrific compendium of new music of the best sort: the kind that’s brilliantly written, expressively direct, played with assurance, and engineered with clarity and warmth.

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Dispatch #4 from the New York Film Festival: Richard Linklater’s “Nouvelle Vague” 

October 18, 2025
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In “Nouvelle Vague,” director Richard Linklater thrillingly captures the sense of Jean-Luc Godard as an artist feeling his way in real time, as if in a dark room, toward a new vision.

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