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Though John Pizzarelli has written and recorded his own material, his specialty has always been embracing and interpreting the tunes of the giants and legends and making them his own.
A pair of documentaries challenge the fantasies in the Boston Sci-Fi Film Festival
A trio of documentaries: one explores an under-recognized Black musician, while the other two focus on a leftist Israeli comedian and crusading teen journalists.
Whereas tap dancer Caleb Teicher is all idiosyncrasy, the Trinity Dancers wow by their perfect unison.
This show uses an impressively clever use of technology to create sign posts on a path through labor history, psychiatry, and textile design.
In his debut feature, director Halfdan Ullmann Tøndel mistakes gratuitous strangeness for genuinely uncanny adventure.
The book continually underlines the important cultural role little magazines played, and how women were central to their existence as founders, editors, contributors, critics, and patrons.
This extraordinary cultural figure has yet to receive the biography she deserves.
My guess is that if Sundance survives, it won’t look like the Sundance we know.
Film Music Commentary: Why “The Odyssey” Should Have Been a Silent Film