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In the best of all possible worlds, Duncan Heining’s biography will be the cornerstone of the edifice that time will erect to the memory of George Russell and his gift to music. Whether that will happen or not remains to be seen. In some ways, because of the vagaries of the book business, it’s up…
Willy Russell’s play is a keeper. It’s tightly-crafted, emotionally generous, and—most of all—FUN! It provides one hell of a dramatic vehicle for a director attuned to the comedy of “higher” education. Educating Rita by Willy Russell. Staged by the Huntington Theatre Company at the Boston University Theater, Boston, MA, through April 10. By Helen Epstein…
In her second novel, Aminatta Forna gives us a moving story of the toll that the terrible civil war in Sierra Leone has taken and is still taking, years after it supposedly ended.
Though unquestionably didactic, Skip Schiel’s images are also haunting glimpses of the perilous nature of life in Gaza. The photographs never feel invasive or forced; they simply capture moments of intimate truth between photographer and subject.
Dramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed…
I have a weakness for cosmic audacity. The history of religions, which I studied before art history, is full of examples that give me a deep inner thrill.
The Adjustment Bureau is a surprisingly good, romantic movie considering that angels are determining the fate of star-crossed lovers and the plot is driven by such lines as “if you stay together, you will not only ruin your dreams, you will also ruin hers.” The Adjustment Bureau. Directed by George Nolfi. The cast includes Matt…
Running through March 14, the Jewish Film Festival is a thinking person’s cinema experience with provocative introductions and post-film Q and As.
No new edition of Bishop’s poetry, which she created with such loving-care and sent to publishers with such restraint, not to say stinginess, could advance her current reputation. She is America’s flagship, 20th-century poet, leaving the straight men (Eliot, Frost, Stevens, and Lowell) in her wake. (Expect a Bishop backlash by 2020.) Yet many poetry…
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