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Culture Review: At MIT, an exhilarating example of 21st-century, multi-media collaboration

January 24, 2011
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It would have been easy to make an entire season out of the ideas the Boston Chamber Music Society compressed into one afternoon; as it is, the wealth of material had the audience buzzing during the two intermissions. Some found the multi-media presentation too much of a good thing. I found it exhilarating and challenging…

Book Review: The Nine Lives of Pianist Leon Fleisher

January 22, 2011
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My Nine Lives reads like a conversation with a man who has worked through more than his share of ups and downs in the world of classical music. The tone is understated and graceful; his narrative could easily have faltered in less skillful hands. Pianist Leon Fleisher aims for a general readership. It’s a very…

Theater Review: R. Buckminster Fuller — I Sing the Body Geodesic

January 20, 2011
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D.W. Jacobs’s presentation of the life and ideas of American visionary R. Buckminster Fuller invites you to make your own intellectual structure out of what you have seen—connect Fuller’s dots, and you have an image that expands your mental horizons or, at the very least, ups your powers of analysis and recall.

Book Review: A Brilliantly Phantasmagorical “Calendar of Regrets”

January 17, 2011
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A novel of echoes, reflections (sometimes inverted), and criss-crossing lines, Lance Olsen’s Calendar of Regrets locates nodes of intersection, spotlights the forgotten, and magnifies the unnoticed. Calendar of Regrets by Lance Olsen. Fiction Collective, 456 pages, $22. By Vincent Czyz Lance Olsen’s Calendar of Regrets had me from the opening scene: a vividly imagined and…

Classical Music Review: A Mixed Score for BSO’s “UnderScore Friday”

January 16, 2011
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It’s very difficult to lure new audiences into the concert hall in most parts of the United States, hard to find useful introductions to pieces of classical music and hard to judge from the reaction of UnderScore concertgoers whether they were pleased with their experience. I applaud the BSO’s initiative. UnderScore Friday. Presented by the…

Arts Commentary: With Friends Like These — The New York Times Explains Why Criticism Matters

January 13, 2011
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The important question the NYTBR Editors fail to ask is whether the traditional definition and values of literary criticism will survive in an age of ebooks and iPads. Is there a primal appetite for criticism? (Edith Wharton says there is, and I believe her.) How will the Internet shape our innate desire to compare, judge,…

Fuse Interview: Helen Epstein Interviews Herself — Joe Papp Biography Goes Electronic

January 13, 2011
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Author and Arts Fuse Contributor Helen Epstein explains why she decided to take her 1994 biography Joe Papp: An American Life and convert it into an eBook—given what may be the precarious future for the traditional book, she “wanted to save it for posterity.” By Helen Epstein. AF: Joe Papp died in 1991. Why publish…

Theater Review: A Hysterical Meeting of the Minds

January 10, 2011
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Since its debut, the play Hysteria has been advertised as “in the comic tradition of Tom Stoppard,” blithely blending fact and fantasy, real life people and fictional characters into frothy fun. Unfortunately, Johnson is no Stoppard. Hysteria or Fragments of an Analysis of an Obsessional Neurosis by Terry Johnson. Directed by Daniel Gidron. Presented by…

Visual Arts: New Year’s Resolutions and On Augmenting Art

January 6, 2011
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In practical terms the Virtual Reality helmet has still not lived up to its potential. Another device has come along, however, that can convey as much information, though without the total visual immersion of Virtual Reality. This is nothing other than the humble cell phone . . . By Gary Schwartz. In 1997 I was…

Commentary/Review: Modernism Takes To The Barricades

January 2, 2011
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In this valuable book, Gabriel Josipovici raises radical doubts about the aesthetic and spiritual satisfactions of conventional storytelling as well as the unquestioned values of realism, at one point condemning writers simply content to tell a story “and telling it in such a way as to make readers feel that they are not reading about…

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