Dance
In George Balanchine’s Serenade and Symphony in C and in Wayne McGregor’s Chroma, architecture comes to the fore, but not exactly conveying the message that company director Mikko Nissinen seems to have intended.
Chhandika is dedicated to keeping the intricate and expressive art form of Kathak dance relevant to contemporary audiences, particularly to those who are not familiar with the Ramayana.
Don’t be late for a very important date when the Coolidge Corner Theatre hosts a Sunday morning, high-def broadcast of the Royal Ballet’s production of Christopher Wheeldon’s celebrated “Alice’s Adventures in Wonderland” on May 5.
Maria Tallchief forever changed the idea of what it meant to see America dancing.
In her recent program at the Boston University Dance Theatre, Corbett riffed on the eerie, 1967 Diane Arbus photograph of identical twin girls in Roselle, New Jersey.
You have to appreciate a guy who expressed his concern for both the drought on the Texas plains and the local arts community’s drought in terms of cancelled jazz programming on WGBH and the closing of the BOSTON PHOENIX.
This week the Cunningham Dance Foundation released The Legacy Plan, a series of steps to document and preserve Merce Cunningham’s choreographies.
Emily Johnson may be off the mainstream cultural radar, but I guarantee that is going to change, big time.
What kind of culture is produced by a society that lives and governs itself by opinion polls?
Wondering about what to give the arts and culture lover on your gift list? No problem—the sage writers for The Arts Fuse (with an assist from our readers) come to the rescue with thoughtful suggestions.
Recent Comments