Dance

Dance Review: Red Deliverance

September 25, 2010
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Screening at the Coolidge Corner Theatre on October 2nd, the Bolshoi’s Bolt is a curiosity worth exploring, a meditation on the Russian past that could only be produced after the nightfall of Stalinism. After all, in some eyes composer Dimitri Shostakovich may have been a stooge, but he was never an obtuse one. Reviewed by…

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Judicial Review #2: Serenade/The Proposition at Jacob’s Pillow

August 6, 2010
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What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…

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Judicial Review Preview: Bill T. Jones’ American Pillars

July 7, 2010
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In Serenade/The Proposition, the first of Bill T. Jones’ investigations into the myth and legacy of Abraham Lincoln, the choreographer looks at history and history looks back. By Debra Cash Cash was the professional critic on the Judicial Review panel reacting to Bill T. Jones’ Serenade/The Proposition at Jacob’s Pillow, July 21 through 25. She…

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Culture Vulture: Reading Jung’s “Red Book,” Conclusion

November 23, 2009
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Whether you’re a Jungian or a Freudian, think Jung was a genius or charlatan, or even if you’re someone who’s never given much thought to psychotherapy, the exhibition on the “The Red Book” at New York City’s Rubin Museum of Art (which runs through February 15) is worth a visit. THE RED BOOK by C.G.…

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Culture Vulture: Coming Attractions — Gloucester City Hall Murals

September 18, 2009
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By Helen Epstein Of the 100 or so events scheduled for Essex County’s Eighth Annual Trails and Sails Festival the last weekend of September, culture vultures should not miss Gloucester’s Committee for the Arts tours of Gloucester City Hall’s wall murals, created by the Works Progress Administration in the 1930’s. Culture Vulture talked about them…

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Theater Symposium: Who Wrote Shakespeare?

June 3, 2009
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By Caldwell Titcomb Starting in 1769 serious questions have been raised as to whether William Shakespeare (1564–1616) of Stratford-upon-Avon actually wrote the plays and poems attributed to him. For some years the true author was claimed to be Sir Francis Bacon (1561–1626). So far, at least 60 persons have been put forward as the rightful…

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Dance Review: Stepping Way Way Out

July 26, 2006
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Karole Armitage, once known as a “punk ballerina,” brings her dance troupe to the Berkshires. By Debra Cash Where has dancer Karole Armitage gone? Is “gone” a verb or adjective? Why has she put an exclamation mark smack in the middle of her new company’s name? The articulate choreographer with A-list artist friends, sweethearts and…

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Dance Review: Parisian Sexcapades

June 16, 2006
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The time is right for the revival of ballet about a country mouse who becomes a Parisian courtesan. The Royal Ballet’s production of “Manon,” presented by the Bank of America Celebrity Series and the Wang Center for the Performing Arts. By Debra Cash We’re living in a gilded age when everything and everyone seems to…

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Dance Review: Swan King

April 25, 2006
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By Debra Cash From the hype, you’d think that ten years ago British choreographer/director Matthew Bourne was the first person to develop a post-Freudian “Swan Lake” or cross-dress a ballet production, and you’d be wrong. You’d be right, however, to call Matthew Bourne’s “Swan Lake” a phenomenon. In 1996-97 the work became the longest running…

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Dance Review: Mark Morris’s Ups and Downs

March 20, 2006
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A Mark Morris world premiere is turning the attention of the national press to the state of the Boston Ballet Company under new director Mikko Nissinen. By Debra Cash Choreographer Mark Morris once said something to the effect that after George Balanchine died, people started to believe that every work Balanchine had ever choreographed was…

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