Commentary
Film scholars, programmers, and the many filmmakers influenced by Naruse Miko value him as having crafted well-rounded portraits of women and their lives across decades of Japanese cultural changes.
So now, along with hand-made candles, jewelry, and home goods, Etsy customers can sport tees, caps and download stickers with Alligator Alcatraz names and images.
“A play is political if its subject is taboo and its story mirrors, exposes, and critiques the suppression and repression that interferes with the treatment of a cultural disease. A political play is a problem that is ignored, denied, maligned. A political play is, by definition, unpopular.”
This year marks the 60th anniversary of the release of John Coltrane’s magisterial album “A Love Supreme,” which has meant so much to so many.
The question before arts organizations and companies is the same one that looms over the rest of us: will they—can they—act before it’s too late?
Though not necessarily for of their buildings, these three prominent architects leave legacies that will be cherished and remembered.
Where is the grandiose zombie apocalypse that illuminates the grotesque reality of the death-denying yet death-obsessed beings we’ve become? Ralph Fiennes knows.
Brian Wilson’s clear falsetto voice may be stilled but his amazing trove of timeless music lives on.
Like her sisters in the art of crystalline complexity, Australian poet and novelist Antigone Kefala persevered through years of isolation, obscurity, and critical neglect.
Music Commentary: Analyzing the Greatness of Brian Wilson’s “God Only Knows”
I hope this close look makes clear the exquisite craftsmanship that went into “God Only Knows.” But for many of us, the song has a magic that goes beyond the mere exercise of compositional skill, even skill of a very high order.
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