Commentary

Commentary: Top Classical Recordings of 2016

December 17, 2016
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I make no claims to have listened to everything released in 2016; here are my picks for the top classical recordings of the year.

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Commentary: Best Classical Performances of 2016

December 16, 2016
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Picks for the top live classical performances of 2016. Feel free to agree, disagree, add to them, come up with your own list, etc.

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Cultural Commentary: Things Get Worse at the Boston Globe and Elsewhere — More Arts Criticism Bites the Dust

November 15, 2016
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Many of today’s arts editors and reviewers embrace a lilliputian vision of arts criticism; they accept a crabbed sense of its possibilities.

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Arts Commentary: Music for Times of Trouble

November 14, 2016
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I’ve been most impressed by the manner in which these composers, in these works, took strong moral and/or political stands.

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Cultural Commentary: Wells Fargo — Let Them Eat Art

October 3, 2016
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Is truth and beauty served when the arts just take the money from the big banks and run?

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Music Commentary/Preview: 2016 Fall Orchestral Season Overview

September 14, 2016
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In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.

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Arts Commentary: When You Think Things Can’t Get Worse — More Arts Criticism Bites the Dust

September 1, 2016
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The loss of arts criticism means severe economic challenges for arts and culture down the food chain.

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Music Commentary: The 50th Anniversary Celebration of the Boston University Tanglewood Institute

August 27, 2016
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If any of you are harboring a budding young musician, investigate the possibility of he or she attending BUTI.

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Music Remembrance: Vibraphonist Bobby Hutcherson — Making the Imagination Run

August 22, 2016
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“When you think about music it’s got to be that way. Just the thrill of being able to play another note, not to win anything or get a trophy.”

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Jazz Performance and CD Review / Commentary: Jane Ira Bloom’s “Wild Lines” and “Early Americans”

August 17, 2016
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Exposing the jazz impulses in Emily Dickinson’s poetry is not an agenda for the novice.

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