Commentary

Book Review: “Time’s Echo” — Listening to the Voices of the Past

December 26, 2023
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Jeremy Eichler calls on hearers to engage in “deep listening,” by which he means engaging the mind and heart not just with the music, but also with the historical, cultural, and artistic contexts that gave rise to it.

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Arts Feature: Best Movies (With Some Disappointments) of 2023

December 23, 2023
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Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.

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Arts Feature: The Best in Popular Music 2023

December 23, 2023
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Our music critics pick some of the standout albums and performances of 2023.

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Arts Feature: According to Our Critics — The Best That TV Offered in 2023

December 23, 2023
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Our critics supply their TV favorites of 2023.

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Arts Feature: The Best of Visual Arts and Design, 2023

December 21, 2023
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Amid the year’s chaos, art was a saving grace, civilizing and humanizing: a much needed blessing that allowed us to breathe, to inhale beauty and perhaps a whiff or two of truth.

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Arts Feature: Top Classical Recordings and Concerts of 2023

December 21, 2023
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Our classical music critics supply their favorites, albums and concerts, from over the past year.

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Music Feature: The Best Jazz Albums and Live Shows of 2023

December 20, 2023
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The magazine’s jazz critics look back over the past year and highlight their favorite albums and live shows.

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Theater Preview: Something for Everyone — How Providence-Area Stages are Surviving, Post-Pandemic

December 19, 2023
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Providence-area professional theaters have fared better than most in terms of surviving and rebounding from the pandemic.

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Music Commentary: Nanci Griffith vs. the “New Yorker”

December 19, 2023
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It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?

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Film Anniversary: From Punchline to Plausibility — The 50-Year Transformation of “Soylent Green”

November 29, 2023
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“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.

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