Books
Tom Overton’s lively, intimate biography follows the critic, novelist, artist, activist, and lifelong insurgent through a career that remade the ways we see.
Kelly Anderson’s “The Wild Beneath” finds beauty in the eerie aftermath of disaster, where grief settles everywhere and the sea reshapes what its survivors believe is real.
“Jazzed” makes a persuasive case for Jack Cole’s artistic importance, even as its overly admiring portrait evades some of his darkest behavior.
Colin Kidd’s lively history follows universities in Oxford and Cambridge from postwar confidence through rebellion, Thatcherite assault, and a troubling loss of institutional nerve.
In this rich collection of essays and introductions, translator and writer Peter Wortsman considers language as an intimate, imperfect act of resurrection—and guides readers toward a varied company of German- and French-language authors.
There is no question that this new volume will be the resource that all subsequent historians will turn to when they explore the trajectory of classical ballet’s slow — and not yet completed — choreography towards racial inclusion.
John Potter’s deeply researched history follows English carols from streets and taverns to churches, choirbooks, and the contemporary musical vernacular.
Kenneth Womack’s lively account of Boston photographer Roger Farrington’s 1980 shoot offers a small but captivating footnote to Beatles history.

Arts Commentary: Superman, Spider-Man, and the American Art of Slugging Nazis
William Nicholas Love’s punch heard round the internet belongs to a long comic-book history of fighting homegrown fascism—from Captain America to “The Clan of the Fiery Cross.”
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