Books

Arts Commentary: On Michel Houellebecq, Islamophobia, and “Charlie Hebdo”

January 12, 2015
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It is unlikely that those who turned automatic fire on the staff of Charlie Hebdon ever read Michel Houellebecq.

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Poetry Review: Rediscovering Aimé Césaire — The Politics and Poetics of Negritude.

January 8, 2015
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Valuable new translations of Aimé Césaire suggest that we have overemphasized the political dimension of his poetry and overlooked other, purely literary, qualities.

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Author Interview: Historian Jason Sokol on Race and Massachusetts — From the Red Sox to Springfield

January 5, 2015
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“I think a lot of people around town are fairly aware of the Red Sox’s checkered history in terms of race.”

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Book Review: “The Hilltop: A Novel” — Serious Israeli Comedy

January 3, 2015
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Assaf Gavron’s sweeping, smart, often funny new novel spins a satiric update on Exodus.

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Book Review: The Remarkable Life of Storm Jameson — Attention Tenderly Paid

January 2, 2015
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After reading this scholarly and accessible biography, I am convinced that Storm Jameson’s life is a must for anyone fascinated by the history of women writers in the 20th century.

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Book Commentary: Dreiser’s “The Titan” Turns 100 — America’s “Downton Abbey”

December 31, 2014
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Theodore Dreiser’s The Titan is not the greatest novel about American business, but it is still among the best, an honorable runner-up that turned 100 this year.

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Book Review: “Nagasaki”‘s Diptych of Aloneness

December 29, 2014
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The success of this short novel set in Japan lies in the empathy it creates for a pair of ordinary and lonely characters.

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Book Review: “Missing Reels” — Breezy Film Fiction

December 19, 2014
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Ace film blogger Farran Smith Nehme’s first novel grows directly out of her adoration of classic American cinema.

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Book Review: A Well-Rounded Look at Napoleon the Man and the Myth

December 17, 2014
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Andrew Roberts has succeeded in a single volume in reconciling the two faces of this historical colossus.

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Arts Interview: Tim Page on the “Virgil Thomson: Music Chronicles, 1940-1954”

December 11, 2014
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Tim Page on a generous sampling of Virgil Thomson’s best music criticism – trenchant, outspoken, oftentimes delightfully clever, and always assured.

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