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Fuse Music Interview: The “Grease” guy –The Bo-Keys and John Nemeth bring the Memphis Sound to Town

April 11, 2014
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Scott Bomar’s multi-generational band The Bo-Keys has almost single-handedly kept the soul tradition of the Stax and Hi labels alive.

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Film Review: “The Unknown Known” — As Insanely Entertaining as a Mad Hatter Tea Party.

April 11, 2014
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My first thought: filming Donald Rumsfeld can only be rationalized if it’s a front for a citizen’s arrest.

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Theater Review: “Nalaga’at” (Please Touch) — A Daring Dramatic Struggle Against Absence

April 10, 2014
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Theater is a public art. And yet, the irony here is that the most profound communication between individuals can be the least publicly communicable.

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Film Commentary: Wes Anderson, Stefan Zweig, and Discovering the Value of “The World of Yesterday”

April 10, 2014
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Perhaps a movie such as “The Grand Budapest Hotel, which is much more than a zany comedy, can lead us back, as director Wes Anderson may have intended, to the fabulous writing of Stefan Zweig.

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Visual Arts Review: “Dear Boston” — A Moving Memorial to the First Anniversary of the Boston Marathon Bombing

April 9, 2014
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It is difficult to describe how moving these simple, mundane objects are in the context of this exhibition.

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Book Review: “To the End of the Land” — A Work of Art About Israel, Fear, and Love

April 9, 2014
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“To the End of the Land” is about the devastation of war, how war erodes the human spirit, yet how that spirit is far more resilient that we may have ever suspected.

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Concert Review: Neil Finn — A Modest Master Songwriter

April 9, 2014
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As a solo artist, Neil Finn’s moved away from straightforward pop and toward a moodier sound, with lyrics asking bigger questions about life and mortality.

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Book Review: David Grossman’s “Falling Out of Time” — It Takes A Village

April 7, 2014
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“Falling Out of Time” is a book that gives all the truth that Israeli writer David Grossman can deliver, and far more intimacy than we strangers who are his readers have earned.

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Theater Interview: Silent Film Comedy Staged Live — Jakop Ahlbom Talks about “Lebensraum”

April 7, 2014
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“Buster Keaton’s imagination and ideas are more surrealistic than Chaplin’s, and his stunts are astonishing in terms of their demanding technique, even today”.

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Theater Review: “In Between” — An Amusingly Serious Look Into the Israeli/Palestinian Conflict

April 5, 2014
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Multi-talented performer Ibrahim Miari has written an insightful and funny one-man show that draws on his own life as the son of an Israeli Jewish mother and Palestinian Moslem father born in what is now the Israeli city of Akko.

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