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When no-one was looking, Ian MacKaye and a group of young people like him created one of American alternative music’s most important and unique scenes.
“It is just when we delve deeper into the sorrows of our lives, the sorrows we have all endured, that our humor saves us.”
There was more than one reference to Alvin Ailey himself in Odetta, recalling Ailey’s frequent use of a female protagonist and his choices of other noted black artists as inspiration.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Boston was first introduced to ensemble taiko in 1975, when members of the Japanese group Kodō crossed the finish line of the Boston Marathon and moments later performed.
Ascending Light is, by far, the most serious orchestral score of Gandolfi’s I’ve heard and it succeeds to a considerable extent thanks to its expressive honesty.
The Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.
The Zellner brothers’ excellent film is inspired by a Japanese urban legend of a young woman who came to America supposedly because of Fargo, and then committed suicide in the snows.
New England’s oldest continuously-active opera company brings to Boston a rare performance of one of Tchaikovsky’s less-familiar operatic scores.
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