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I saw the anniversary evening as being about Twyla Tharp’s perennial themes and preoccupations.
Andris Nelsons drew playing from the BSO that reveled in Alban Berg’s sense of color and musical drama.
Perhaps the yuck factor of Night is a Room’s sexual proclivities elicits giggles as a cover for not knowing how or for whom to care.
Cyril Jordan of The Flamin’ Goovies talks about smoking pot with Ted Kennedy and impressing The Rolling Stones.
The Huntington Theatre Company is giving Jeffrey Hatcher’s stage adaptation of the celebrated comic novel a congenial production.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
The biggest takeaway from the evening was the superb quality of the Boston Philharmonic Orchestra’s playing.
Bill Griffith, the creator of Zippy the Pinhead, dives deep into his personal life in his extraordinary new graphic memoir.
Liars and Believers have been creating, conceptualizing, and rehearsing this show for eighteen months—and the seasoning has paid off.
The Spirit Moves is imbued with a sense of rebirth, emotional and creative, that pairs well with Langhorne Slim’s trademark barn-burning intensity.
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