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The Boston Early Music Festival’s production of Monteverdi’s final opera, L’incoronazione di Poppea, is not to be missed.
“Pentalum” is an example of soft, temporal architecture: its geometric sculptural forms push against the boundaries of an interactive environmental art installation.
Here is a terrific documentary that will appeal to people who grew up in the mid-20th century and also their children and grandchildren.
The Safdie brothers are willing to look at hard truths, creating a movie that retains the immediacy and the tragedy of addiction.
It is worth your time watching Shakespeare & Company’s two fine actresses come to an understanding that is cathartic and real.
Hollywood Express is closing at the end of July. Movies will be distributed by Cloud. Have you ever tried talking to the Cloud?
Many of the films being made in Massachusetts are by independent Massachusetts filmmakers, most of them documentarians. Why is nobody talking about how to subsidize them via the tax credit?
“My idol was Pete Seeger, even before I moved to the Village. He still is.”
Sunday’s performance of Il ritorno d’Ulisse in patria—by a company whose members know each other’s abilities, voices, and personalities well—gave every indication of an extraordinary week ahead.
Music Remembrance: Ornette Coleman — The Gentle Iconoclast
Ornette Coleman’s music was avant-garde but, perhaps unconsciously, his notion of art as free lyrical adventure was deeply American.
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