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In the theater, sentiment must be earned – Violet is moving and likable, but its pathos is only skin deep.
The Boston Artists Ensemble performance was full of bravado, virtuosity, subtlety, and charm.
Given the rise of radical Islamic terrorism, Disgraced is nothing if not timely.
Rickman was that rare actor whose low-key intensity was punctuated with just enough hilarity or insanity to make his characters unforgettable.
Sean Daniels displays a fearless desire to share his own battle with alcoholism, a disease that nearly destroyed his career and his life.
Land art is an outgrowth of the rebellious ’60s; radicalism taking the form of ambitious topographical rearangment.
It is strange that Citizens of the Empire is so weirdly underdeveloped, given that it has been in development for quite a while now.
I trust Bowie, the way I trust Stevie or Miles or Aretha or Duke or Bach or Debussy or Ornette or Rahsaan or the recently departed Paul Bley.
The Golden Globes Equation: Glitz + Glamor + Action = Win.
Fuse Remembrance: Bowie on Film — Ageless Enigmas
Bowie the Legendary Rock Star and Bowie the Fashion Chameleon were flashier, bolder, than Bowie the Cinematic Iconoclast.
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