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Film Review: At the IFFB — “Weiner” Is the Joke on Us?

April 28, 2016
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In the age of reality television, where no humiliation or personal flaw goes unnoticed, Anthony Weiner revels in all the attention.

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Film Review: “The Guys Next Door” at the IFFBoston — A Gentle Lesson

April 28, 2016
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The Guys Next Door is about gently opening hearts and minds: it delicately demonstrates through one small story how easy it would be to recognize our common humanity.

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Theater Review: Anne Washburn’s “Antlia Pneumatica” — All Sound and No Dramatic Fury

April 28, 2016
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Long stretches of the evening ask the audience to listen to annoying children’s voices in the dark.

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Book Review: Helen Dunmore’s Terrific “Exposure”

April 28, 2016
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There are resemblances to Virginia Woolf in Helen Dunmore’s awareness that much of family life lies in what is not said as much as in what is said.

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Book Review: Don DeLillo’s “Zero K” — The Wages of Cheating Death

April 28, 2016
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Zero K will prove refreshing to Don DeLillo’s readers in that it’s a novel of faith — a concept that he’s always been skeptical of.

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Book Review: “John Quincy Adams: Militant Spirit” — A Sympathetic Look at a New England Aristocrat

April 27, 2016
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James Traub has admirably captured the man inside the public figure, giving us a complex view of a typical New England grandee.

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Theater Review: “Oh God” – Psychoanalysis Saves The World!

April 27, 2016
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Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.

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Film Preview: Death and Desire at the Circus — “Varieté” at the Coolidge Corner Theatre

April 26, 2016
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Varieté will be the tenth score composed by a Sheldon Mirowitz class and played by the Berklee Silent Film Orchestra.

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Book Review: Alvin Epstein’s “Dressing Room Stories” — Vivid Theater History

April 26, 2016
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Alvin Epstein’s recollections about his decades as a stage performer have been gathered in the form of tales abut what happened behind the scenes,.

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Film Review: Disney’s Revamped “Jungle Book” — A Remarkable Remake

April 25, 2016
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Those familiar with –and, like me, in love with — the 1967 animated Disney film, may fear (as I did) that the new version would substitute CGI for story.

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