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The musical is a relentless, one hour and fifty minute excursion into the history of racial bias in America, from the cotton fields to the Civil Rights movement.
You’re not supposed to look for deep meaning in this often-revised jumbo of a ballet.
American Football’s new album would be a fine effort for anyone but American Football.
At 82, Cohen seems to feel that there isn’t a lot of time left and that he has nothing to prove to anyone.
Though Kenneth Lin wrote Warrior Class in 2012, it is easy to see its resonances with the 2016 election cycle.
Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.
Frances Wilson’s biography of Thomas De Quincey is superb, written with enormous empathy and insight.
Tiger Style! blows by like a whirlwind — wordy, frivolous, and ultimately unsatisfying.
The heart of this theatrical reboot is what it means to go for broke and bet on love, or art, or both.
The power of Allen Ginsberg’s legacy could be felt in the controversy over the decision to award Bob Dylan the Nobel Prize in Literature.
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