Posts

Theater Review: Missing the Irony in “Revolt. She Said. Revolt Again.”

October 27, 2016
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Alice Birch’s play/polemic about radical feminism resists Company One’s earnest-to-the-max interpretation.

Concert Review: The BSO Presents an Evening of Benevolent Kindred Spirits

October 27, 2016
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After all these many decades I am still deeply moved by Yo-Yo Ma’s playing, which combines irresistible charisma and generosity of spirit.

Film Review: “Aquarius” — A Woman of a Certain Age Kicks Ass

October 27, 2016
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How refreshing it is to see a female protagonist whose strength of will and character is not of the superhuman variety.

CD Reviews: Tchaikovsky’s Symphony no. 1 and Mozart Violin Concertos plus Wagner Overtures & Preludes

October 26, 2016
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For recorded sound, for brilliance of orchestral execution, and for interpretive concept, Janowski is one of the 21st century’s best Wagnerians.

Book Review: Mark Greif’s “Against Everything” — But For Nothing?

October 25, 2016
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Mark Greif’s analyses can be sharply counter-intuitive..

Theater Preview: Melinda Lopez — A Life in the Theater

October 25, 2016
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“Theater is my pathway to sanity,” Melinda Lopez explains.

Dance Review: BalletX — Fusion and Diffusion

October 24, 2016
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Ballet steps from the classroom were sprinkled in with modern dance, moonwalking, shimmies, groping duets, and any other kind of movement.

Concert Review: Boston Philharmonic plays Auerbach, Rachmaninoff, and Tchaikovsky

October 24, 2016
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Conductor Benjamin Zander and his band were at their collective best performing Tchaikovsky’s Symphony no. 6.

Book Review: “Bad Moon Rising” — New Findings about the Weather Underground

October 24, 2016
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Bad Moon Rising turns out to be justified by new evidence, some of which will be surprising to all concerned.

Coming Attractions: October 30 through November 8 — What Will Light Your Fire

October 23, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

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