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Book Review: Watching TV with Omnicultural Smarts — Clive James’ “Play All”

September 29, 2016
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Clive James is cosmopolitan and learned, but he’s far from a snob.

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Fuse Music Interview: Rock Against the TPP Comes to Boston

September 28, 2016
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We’re reminding everyone that fighting corruption and injustice is hard work, but it can be fun as hell too.

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Book Review: “France: Story of a Childhood” — A Timely Memoir of Liberation

September 28, 2016
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France: Story of a Childhood is half personal essay, half autobiographical novel.

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Opera Review: Boston Lyric Opera’s “Carmen”

September 28, 2016
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Bieito’s vision – even if it’s not quite as racy as advertised – comes off better than any new canonical production of the BLO’s I’ve seen recently.

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Fuse Concert Review: Boston Symphony Orchestra’s Opening Night Gala

September 27, 2016
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No doubt many in Saturday’s well-dressed crowd came for the opportunity to hear that most appropriate of gala pianists, Lang Lang.

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Classical Music CD Review: Radius Ensemble’s Refreshing “Fresh Paint”

September 27, 2016
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The disc offers a rewarding look at the work of four local composers and also showcases the members of Radius Ensemble in a warm, winning light.

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Book Review: “Just Around Midnight” — A Revelatory Look at Race and 1960s Rock and Roll

September 27, 2016
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Why did rock and roll become white? Music critic Jack Hamilton’s extraordinary new book provides a challenging answer.

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Jazz Concert Review: John Scofield’s “Country for Old Men” — Well Worth a Visit

September 27, 2016
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Country for Old Men is surely going to stand as one of the best, as well as among the most unusual, recordings of the year.

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Film Review: Was “The Lovers & the Despot” Really Necessary?

September 26, 2016
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Kim Jong-il, then heir to the leadership of North Korea, kidnapped South Korean superstars to beef up the country’s impoverished cinema.

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Book Review: Altamont — Rock’s Worst Day?

September 26, 2016
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As a work of history, a journalistic account, and an astute study of a troubled subculture, Altamont is so engrossing that it almost disarms criticism.

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