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Despite its abrasive style, “Plainclothes” leaves no doubt about what is going to happen or what is meant to be its takeaway message.
Happily, the admirable Horizon Ensemble is championing Germaine Tailleferre’s mesmerizing piano concerto.
As Martin Luther King Jr. said, “The arc of the moral universe bends toward justice.” Rather than ask how progress ends, shouldn’t we be asking how progress bends?
A new documentary bares (almost) all about stripper-actress Tura Satana.
Gigs by superb bands led by Mary Halvorson and Mehmet Ali Sanlıkol at the Regattabar.
Two outstanding films from this year’s Toronto International Film Festival — “The Tale of Silyan” and “Wrong Husband”
“If my work does have a recurrent theme, it is the pressure of the political/historical moment on individual choice.”
In this conversation, host Elizabeth Howard talks with Seton Hawkins, the Director of Public Programs and Educational Resources at Jazz at Lincoln Center, about Jazz at Lincoln Center Orchestra’s “Mother Africa” season.
Playwright Eboni Booth won last year’s Pulitzer Prize for Drama for this script, and it is a heartwarming, well-constructed, one-act.
Cowboy Junkies has simply been too busy to wallow in the past, which has meant a lot of great songs have been untouched in concert.
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