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Nothing detracts from the essentials here – three fine players in creative conversation.
Existential Reckoning confronts today’s lethal inanity in blistering fashion, via songs that posit dire consequences for a country that wants to be entertained more than wants to be informed.
For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.
This episode is all about creativity and curiosity in the age of Covid. Listen in for a round up of some of the best arts and culture offerings available online.
What is the problem with this Rebecca? It is stunning to look at and well-crafted, but I sometimes felt as though the actors were striving for a tone more suitable to a film other than the one they were in.
Sacha Baron Cohen uncovers enough destructive inanity in Borat II to justify the savagery of its satire of American ignorance.
My guess is that Keith Jarrett probably wasn’t satisfied with this performance. I wouldn’t change a note, a gesture, or a shading.
Open Mike Eagle may have written this album for himself, but many others will recognize themselves somewhere in his words and in his pain.
It should be no surprise that Sawyer seeks and finds new sounds on Less Than More Than. The EP is a deep dive into synth-driven pop that expands on the band’s philosophy.
Theater Feature: An Interview with Benny Sato Ambush on Directing the Virtual Reading of Anthony Clarvoe’s “The Living”
“A play like The Living pricks the conscience of the country. It is the reason I wanted to produce and direct it.”
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