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This debut novel concentrates on the vagaries of desire, but in a spare, uncomplicated, and natural fashion that sets it apart from any formulaic romance.
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Musicians active in Boston, Washington DC, and Australia discover previously unrecorded gems, including works by women composers and composers of color.
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Here’s yet one more fantastic thing about it no longer being 2020: it’s now the 50th anniversary of the excellent music that premiered in 1971.
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It’s as though Moxie‘s writers pulled out a long “woke” checklist and tried to cram in something about every hot button issue they x’ed off.
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If I’m being too harsh on Trans in Trumpland it’s because we cannot afford to fall back into the liberal complacency of the Obama years.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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The world-premiere recording of a first rate production of a brilliant, fantastical opera, unstaged and unheard since 1914.
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Exuding a guerilla theater, agitprop vibe (with touches here and there of vaudeville and live sketch comedy), F.T.A. is a thrilling expression of pacifism and accountability directed at the military.
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The San Francisco Symphony is a model of complexity: tonally warm but texturally clear; rhythmically on edge but never abrasive in character; beautifully blended throughout.
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Biggie: I Got a Story to Tell does a solid job of introducing someone new to Biggie’s work and establishing his enormous influence on hip hop.
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