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Come True squanders all of its narrative potential in favor of an awkward and poorly developed romance and a “twist” ending even M. Night Shyamalan would scoff at.
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“‘Rightsism’ gives judges much more power than they deserve in a democracy,” Jamal Greene writes. “When U.S. judges face a conflict of rights, they cancel one right or the other.”
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It’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.
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This Korean novel dramatizes, with indelible force, the utter dehumanization of women confined to authoritarian patriarchal imprisonment.
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Despite its intriguing sci-fi premise, The One is content to entertain so, though its plots meander, it’s a good watch for those aching for a bit of escapism and intrigue.
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Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
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The Sri Lankan rapper’s outspoken support for refugees — the focus of her 2016 album — remains relevant as the United States and the rest of the world continue to grapple with immigration reform.
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Dorothy Boudreau believed in the necessity of culture, and she was as erudite as she was unpretentious.
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This is a dazzling debut by filmmaker Rose Glass, who has made a powerful film that is grounded, first and foremost, in the monstrousness of daily living.
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Arts Remembrance: Poet and Illustrator Joan Walsh Anglund
Throughout her career, Joan Walsh Anglund remained humbled and amazed by her success, maintaining a quiet and private life.
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