Posts
This piquantly enjoyable docufiction emphasizes how movie spectatorship encourages empathy and understanding.
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The Museum of Fine Arts screens some ripples from the New Wave.
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Lamb of God’s show at the MassMutual Center was as spirited, fierce, and technically dazzling as any that the group has brought to these parts over the past two decades.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
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Two very influential and brilliant Cuban musicians, Albita Rodríguez and Chucho Valdés, join together to make a fine album; Chilean guitarist/vocalist/composer Camila Meza serves up a potent mixture of jazz and lyrics concerned with social justice.
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Fans who at least followed the band through its heyday in the late ’80s and early ’90s couldn’t have predicted the Mekons would wind it back in 2025 behind a new album just as galvanizing as their past catalog.
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The Off Broadway revival demonstrates how 10 years of dedicated work can make a mediocre musical even worse.
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At its best, Mark Twain emerges in this biography as much a live wire as ever: brash, outspoken, and overflowing with exasperating contradictions.
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“Too Much”‘s swings from comedy to tragedy generate considerable whiplash.
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Arts Feature: Best Movies (With Some Disappointments) of 2025