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Pop Album Review: Florence + The Machine’s “Dance Fever” – Inside the Artist’s Mind

May 26, 2022
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Dance Fever is one of the few pandemic-themed artworks that doesn’t feel contrived — it is specific about the value of music to the individual and by extension to the community.

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Video Game Commentary: Roblox — Exploiting Child Labor in the Metaverse

May 25, 2022
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The most popular game/platform in the world shows us how some of the darkest chapters of labor history can easily repeat themselves in virtual reality.

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Arts Commentary: Getting ‘em in the Door

May 25, 2022
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For the foreseeable, capitalist American future, full and equitable access to live, professional performing arts will depend on subsidy.

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Film Commentary: Three Amazing Movies Turn 50

May 24, 2022
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A terrifically significant, and eccentric, trio of films are turning 50 this year: Marjoe, Pink Flamingos, and Silent Running.

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Theater Commentary: Burnt Norton

May 24, 2022
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What will guarantee obsolescence? If members of the BTCA continue to embrace a “whatever is, is right” attitude to Boston’s stage scene.

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Film Commentary: “Inland Empire” — The Dreamer Who Dreams

May 24, 2022
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David Lynch’s Inland Empire is a provocative challenge to filmmaking as a medium of visual storytelling that’s largely gone unmatched in the sixteen years since its initial release.

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Theater Reviews: “Hangmen” and “American Buffalo” on Broadway — From the Gallows to the Gutter

May 23, 2022
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Two dark comedies explore American and British subcultures far below the line of decency.

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Classical Album Review: Orion Weiss’s “Arc 1” — Crafting a Strong Sense of Impending Doom

May 22, 2022
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The album serves up exceptional stuff, even if the program’s a touch macabre and pianist Orion Weiss’s well-written liner notes make uncomfortable connections between the world of pre-World War 1 Europe and our own pandemic-riddled age.

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Concert Review: Joe Jackson at the Shubert Theatre — A Restlessly Creative Artist at the Peak of His Powers

May 22, 2022
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Trampling on the expectations of his fans, of course, is a big part of what makes Joe Jackson the singular talent he is — and most of his admirers wouldn’t have it any other way.

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Opera Review: “Champion: An Opera in Jazz” — Fought to a Draw

May 22, 2022
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The cast for this Boston Lyric Opera production was first-rate, and composer Terence Blanchard has worked in a wide variety of jazz styles and shifts gears to keep the score swinging throughout.

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