• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • About
  • Donate

The Arts Fuse

Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more

  • Podcasts
  • Coming Attractions
  • Reviews
  • Short Fuses
  • Interviews
  • Commentary
  • The Arts
    • Performing Arts
      • Dance
      • Music
      • Theater
    • Other
      • Books
      • Film
      • Food
      • Television
      • Visual Arts
You are here: Home / Featured / Film Review: “Cha Cha Real Smooth” — Complicating the Rom-Com

Film Review: “Cha Cha Real Smooth” — Complicating the Rom-Com

June 20, 2022 Leave a Comment

By Henry Chandonnet

Cha Cha Real Smooth is sappy but welcome: it is an unconventional comedy that offers a rare dose of empathy for the family in these anxious times.

Cha Cha Real Smooth directed by Cooper Raiff. Screening at Kendall Square Cinema, Coolidge Corner Theatre, and streaming on Apple TV+

Leslie Mann and Cooper Raiff in Cha Cha Real Smooth.

Director/actor Cooper Raiff may have struck gold with his niche genre of choice, the socially complicated yet emotionally gratifying crowd-pleaser. He is one of the few directors at the moment whose films effortlessly (and pleasurably) mix emotional complexity and straight ahead storytelling. That was true of S**thouse, his debut feature that won the SXSW prize for Best Narrative Feature. Unfortunately, it was poorly distributed by IFC. He has come back strong with his new film Cha Cha Real Smooth. It manages to range from the comedic to the melodramatic. Along the way you cry, laugh, and even cringe.

Cha Cha Real Smooth‘s protagonist is Andrew, played by Raiff himself. After moving back home following his college graduation, Andrew takes his brother David (Evan Assante) to a bar mitzvah. Learning that the planners had not hired a party-starter, Andrew takes it upon himself to get everyone on the dance floor. In the course of doing that he meets Lola (Vanessa Burghardt), a young autistic girl in David’s grade who is uncomfortable dancing in crowds. Andrew forms a bond with Lola, eventually getting her up and dancing. Grateful, Lola’s mom Domino (Dakota Johnson) asks Andrew to babysit Lola when she and her fiancé are out. A relationship blossoms between Andrew and Domino, though not much time is spent on the romance. Instead, Cha Cha Real Smooth focuses on how this affair tests the relationships in Andrew’s life, from Domino and Lola to family ties, including Andrew’s mother (Leslie Mann). These connections are nuanced and personalized to the point that what initially looks like a silly little movie about a bar mitzvah party-starter ends up exploring how we grow with (and away from) those around us.

The ensemble cast is strong, but what makes Cha Cha Real Smooth work so well is Raiff, who takes on the roles of writer, director, and leading player. His performance as Andrew is where Raiff excels. Andrew is a bit of a mixed bag — he is not always sympathetic, but we must not lose our interest in his potential. He has enough emotional intelligence to connect with Lola, but not enough to treat his stepdad with respect. Andrew is what gives the narrative its complexity; this is a (too) likeable guy who makes some very bad decisions. In other words, Raiff is smart enough, in his treatment of Andrew, to reject the standard “nice guy” trope. And that is refreshing.

Cha Cha Real Smooth also overturns rom-com laziness through its treatment of difficult social issues, specifically with Lola. It should be noted that a selection of celebrated autistic writers have written perceptive pieces celebrating Cha Cha Real Smooth and its representation of autism. Admirably, the film is determined to represent (and protect) its neurodivergent character. At one memorable point, Andrew talks to Domino about how difficult it must be to raise an autistic child. Domino responds how grateful she is for Lola. The scene is handled well: it is not lazily sentimental but a bracing confession of a mother who loves her challenging child. So much for the usual “romantic” complications; Domino and Lola’s relationship is one of the film’s backbones, a vision of strong familial love.

The self-conscious decision to present domestic life through such a kindhearted lens is revealing. Every day the media is filled with columns detailing the resentment Gen-Z holds for the older generations. Some of this anger, of course, is merited: think the climate crisis, economic collapse, etc. That being said, it is not all acrimony — there is still much love to be had. In Cha Cha Real Smooth‘s final moments Andrew sits for a brief reckoning session with his mother. He thanks her for helping him to have a good childhood: one can sense here that Raiff’s film is gently defending the warmth of the American family. Gen-Z may harbor a grudge, but that does not (and need not) undercut our truest bonds. This film draws on the love between a mother and a son, between brothers, between a mother and a daughter. Cha Cha Real Smooth is somewhat sappy but welcome: it is an unconventional comedy that offers a rare dose of empathy for the family in these anxious times.


Henry Chandonnet is a current student at Tufts University double majoring in English and Political Science with a minor in Economics. On-campus, he is an Arts Editor for the Tufts Daily, the preeminent student-run campus publication. You can reach out to him at henrychandonnet@gmail.com, or follow him on Twitter @HenryChandonnet.

Share
Tweet
Pin
Share

By: Henry Chandonnet Filed Under: Featured, Film, Review Tagged: Cha Cha Real Smooth, Cooper Raiff, Dakota Johnson, Henry Chandonnet, Leslie Mann

Reader Interactions

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Search

Popular Posts

  • Rock Album Review: The Tedeschi Trucks Band’s “I Am The Moon” — Nothing If Not Ambitious Crescent gives us the first five songs of the I Am The... posted on May 30, 2022
  • Concert Review: The 2022 New Orleans Jazz & Heritage Festival — The Blessed Return of Musical Serendipity We’d returned to the New Orleans Jazz & Heritage Festiv... posted on May 29, 2022
  • Television Review: “Shoresy” — A Spin-off That Falls Short The Canadian sports comedy Shoresy works as its own ser... posted on June 7, 2022
  • Theater Review: “1776” — Still an Egg in the Theatrical Incubator This revival of 1776 tries to strike a culture wars bal... posted on June 5, 2022
  • Album Review: Drummer Bill Bruford’s “Making a Song and Dance” — Adventures Galore Legendary percussionist Bill Bruford’s recorded output... posted on May 31, 2022

Social

Follow us:

Follow the Conversation

  • Ruth Faris June 26, 2022 at 10:16 pm on Film Review: The Devil and “Elvis”Nicely written, makes me want to see it, thanks Tim!
  • Norm June 26, 2022 at 7:03 pm on Film Review: The Devil and “Elvis”Any doubts about seeing the film dispelled by your cool review.
  • Joan Lancourt June 26, 2022 at 6:15 pm on Theater Review: “Common Ground Revisited” – Revivifying HistoryI think Jacqueline Houton hit the nail on the head when she says "a scene or two from the past...
  • Sarah Wilson June 26, 2022 at 8:37 am on Author Interview: The “Friday Night Lights of Hockey” — Jay Atkinson’s “Ice Time” Turns TwentyGreat interview! Excited for the book!
  • Jeff June 26, 2022 at 7:38 am on Film Review: The Devil and “Elvis”I’m looking forward to seeing it. And a good reminder to read Last Train to Memphis.

Footer

  • About Us
  • Advertising/Underwriting
  • Syndication
  • Media Resources
  • Editors and Contributors

We Are

Boston’s online arts magazine since 2007. Powered by 70+ experts and writers.

Follow Us

Monthly Archives

Categories

"Use the point of your pen, not the feather." -- Jonathan Swift

Copyright © 2022 · The Arts Fuse - All Rights Reserved · Website by Stephanie Franz