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WATCH CLOSELY: “1899” — A Sumptuous Terror

December 14, 2022
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1899‘s excellent design work makes this series an opulent and memorable visual odyssey.

Book Reviews: Art Museums — Anything But Neutral

December 14, 2022
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It’s tempting to frame these books as opposing sides in an argument, Old School Establishment vs. Progressive Left. They are more like parallel universes; their opinions and even their terms rarely converge.

Opera Album Review: Meyerbeer’s Comic Opera about Peter the Great, A Welcome Return

December 13, 2022
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This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.

Literary Appreciation: Grace Paley and the Swiveling Light of Truth

December 13, 2022
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An homage to Grace Paley, one of the great American writers of the 20th century.

Music Interview: Barrence Whitfield — Still Savage After All These Years

December 13, 2022
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“It’s up to us to remind those making music today to never forget those pioneers. I always say if it wasn’t for R&B, jazz, and gospel there’d be no Elvis, Beatles, or the Rolling Stones.”

Concert Review: Pianist Seong-Jin Cho — Fire and Precision

December 12, 2022
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The South Korean pianist possesses technique to burn. His tone is pearly and deep, capable of both haunting distance and grandeur.

Poetry Review: Henry Walters’s “The Nature Thief” — Memorable Verbal Acrobatics

December 12, 2022
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The poems in this remarkable collection lead us, as all good literature should do, after all the appearances and misdirections, feints and antic dispositions, to nothing but ourselves.

Jazz Album Review: Satoko Fujii’s “Hyaku: One Hundred Dreams” — Slightly Restrained Mayhem

December 11, 2022
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Pianist/composer Satoko Fujii’s determination to create is astonishing and wide-ranging — her 100 albums as leader prove it.

Classical Concert Review: Celebrity Series Presents Junction Trio — Balancing Flair and Cohesion

December 11, 2022
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This young, superstar trio is capable of being as cool as it is fiery, and the performers’ strengths bring out the best in each other.

Jazz Interview: Trumpeter Mark Morganelli Makes It to Boston — Finally

December 11, 2022
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“The reason I started the Jazz Forum was to give emerging artists like myself the opportunity to perform.”

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