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Both of these documentaries offer gratifying viewing for any curious roots music fan.
This offbeat bio of Turtles vocalist, songwriter, and clown prince Mark Volman has been assembled from amusing, insightful, horrifying, honest, and candidly told stories from friends, family, and even some foes.
“Everyone involved was committed to doing something different and eclectic,” WasFest curator Don Was said. “It’s a mixed bag, and that’s what we wanted.”
This incisive drama set during the height of Thatcherism doesn’t need to amplify its relevance.
In this novel Nana Kwame Adjei-Brenyah creates a terrifying future world. I’m glad that he chose to anchor that creation so powerfully in the shameful present.
A reprint from 50 years ago, this small book brings to the English-speaking world a strategic introduction to the work of a major French poet of the twentieth century.
Two documentaries at PIFF show how we got to where we are now.
Nye Ffarrabas and others in Fluxus created intermedia events that pushed the boundaries of prevailing norms in painting, sculpture, poetry, music, architecture, and theater.
Nathan Go’s debut novel is entertaining, emotionally resonant, and raises provocative questions about forgiveness, redemption, and love.
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