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These new mixes and remixes of the source material, outtakes, and scintillating live cuts show how The Replacements were one of the greatest bands to ever not care much about being one.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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A stirring trio date featuring John Scofield on guitar with Vicente Archer on bass and Bill Stewart on drums.
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Bill Frisell fans were blessed to hear the Denver-bred, Berklee-schooled guitar savant at a massive multi-space facility that might offer the state’s most awe-inspiring concert hall.
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Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
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Elizabeth Howard talks to “Book Post” editor and critic Ann Kjellberg about the value of literary criticism as a form of sustained reflection.
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Closing out coverage of the London Film Festival: films from Catherine Breillat, Michael Winterbottom, Luna Carmoon, Robert Morgan, and Daniel Kokotajlo.
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Anna Webber’s latest disc of fascinating arrangements and complex sounds is nothing if not adventurous.
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Will Hermes reveres Lou Reed’s music, and he expounds on his love in this voluminous, well-researched biography.
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This week’s poem: Heather Treseler’s “Ghostology.”
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