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While “The Deep Blue Sea” may be a throwback to another era, director Terence Davies has used his masterful style to engage the audience cinematically and psychologically in an elegant circular structure.
Like other great artists –- Martha Argerich and Steve Lacy come to mind right away — pianist Kirill Gerstein approaches every note with a sense of how important that note is in relation to every one that has come before and every one that is to come after.
April is an unusually excellent month for Boston Symphony Orchestra concerts — a promisng match up of programs and conductors.
In “Gatz,” F Scott Fitzgerald’s words come at the audience like bullets because they are so relevant to so much of American life today. And create the kind of catharsis, that peculiar combination of pity and fear, that is the mark of truly great theater.
It’s film festival time! That means you need to stretch, exercise, and drink plenty of liquids because there’s a lot to see. The month is capped with an amazing line up of 66 features at the Independent Film Festival of Boston.
For William Kentridge history accrues, falls dead, is born, washes up, piles up, and may be artfully arranged, but the most powerful place that this accretion might happen is in the artist’s studio, which is a metonym for the human mind.
April brings the Together Electronic Music Festival. I’ve listed my highlights.
Even though she covers herself with demurely crossed arms, her gaze could burn holes through fabric. If it looks like the artist had a predilection for strong, bosomy girls, well, there’s a reason for that.
Director Robert Lepage’s “The Andersen Project” is a masterful meditation on the agonizing process of artistic creation. Few scripts bring the mixed essence of opportunism and magic of show biz together so effortlessly.
The Arts Fuse has added some new features that make us easier to read and share.
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