Tim Jackson
It’s a simple and formulaic premise: a boy with a single mom and an old widower become soulmates. But Driveways transcends cliché because of its strong direction and performances, especially from the late Brian Dennehy.
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Video essays have been characterized as “the articulation of thought in audiovisual form.”
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The pace of this superb mini-series is keyed to generating intimacy with the characters and their struggles.
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Marvelously acted and directed, First Cow is a masterpiece that dramatizes how struggle and adversity are part of the human comedy.
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A comical version of Jane Austen is coming our way via Autumn de Wilde’s Emma.
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While The Assistant’s scenario alludes to Harvey Weinstein, the problem is systemic in the entertainment business and probably many other workplaces.
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You will laugh at Uncut Gems, but you will leave the theater shaking.
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Waves is a plea for mutual understanding, for acts of grace that transcend race, age, gender, and social status.
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Despite some glimmers of hope, By the Grace of God will not be an easy film for anyone — for loyal believers, for those disillusioned by the church, for anyone who has suffered from abuse.
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Buñuel in the Labyrinth of the Turtles is nothing if not provocative fodder for a cinematic niche: the animated feature sheds intriguing light on one of the major film directors of the 20th century at a pivotal time in his career. ,/em>
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