Tim Jackson
Employing every trick of digital capability to astound and amaze eventually becomes little more than hocus-pocus.
The pre-festival film season features free screenings, a selection of international cinemas, many great documentary films, and a weekend of feminist films.
By planning ahead, and purchasing one flexpass, I was able to see a trio of plays in New York during a single weekend for well under $200 — a bargain price for world-class theater productions.
Few events draw more prognosticators than the Oscars, and the Arts Fuse movie critics join in on the universal guessing game. The trio agree on one thing: the field this year is rich with worthy and fascinating nominees.
February is a rich month for film-lovers, filled with screenings of alternative movies and film festivals. There are classics, documentaries, genre films, science fiction, appearances by filmmakers, and cinema from around the world.
One might call “Mama,” one of the classiest horror films in years, a case of shock and awww …
Broken City covers familiar territory, but this time it’s Marky-Mark to the rescue and he brings a gruff and troubled groundedness to the role of a man on a mission to find out The Truth in a corrupt world.
Fuse film critic Tim Jackson picks the best of the past year in movies, a round-up that includes some grievously overlooked documentaries, independent, and foreign films.
‘Tis the pre-Oscar season, but you might pause for some uncommon documentaries on the arts, sports, or farming. And take in one great revival.
In his book “Ferocious Reality,” Eric Ames offers an insightful, well organized, and readable study of Werner Herzog’s documentary work that explores the director’s earliest films as well as his most recent ones.
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