Tim Jackson
Two new films take a poetic and fantastical look at the artifice of sensual surfaces to imagine the horrific realities beneath.
Read MoreAnita Hill’s struggle is an essential piece of modern cultural and political history that remains painfully relevant.
Read MoreWhat makes Lars von Trier one of cinema’s most fascinating directors? It is his willingness to pull out the stops in a riotous search to understand his own mind and ask questions about human nature. His films are a quest to find himself.
Read MoreDirector Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.
Read MoreA trio of superb off Broadway plays explore the complicated faces of love and lust — from the seamy to the sublime.
Read MoreWith all the writing lately on marriage and happiness, and this being Valentine’s Day, and at the risk of being presumptuous, allow me share some accumulated wisdom that allegedly has been gained with age and experience.
Read MoreHidden among the screenings at this year’s Reelabilities: Boston Disabilities Film Festival are two strong tales of individuals overcoming incredible odds.
Read MoreIs “Her” exploring truths about romance and emotional need? Or is this a creepy look into how far we’ve surrendered to the infantilizing embrace of technology?
Read MoreFor many boomers, the film will be a joyous invitation to wallow in déjà vu. For younger generations, it will shine a light on a time when musicians really thought music could change the world.
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Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”
Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.
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