Tim Jackson

Film Interview: A Talk with Filmmaker John Sayles and Actor Edward James Olmos

November 15, 2013
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“It’s easier to make a movie now but it’s harder to get it distributed in a way that people will see it.”

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Fuse Film Review: “Medora” — Dreaming the Impossible Dream

November 11, 2013
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Director/producers Andrew Cohn and Davy Rothbart have constructed a film that ties the desperation of Medora’s shrinking ambitions to the struggle of its scrappy team to win a single game that could suggest a small hope for the future.

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Film Review: “The Last White Knight” — A Vision of Racism Perpetuated

November 7, 2013
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In the mesmerizing “The Last White Knight,” documentary filmmaker Paul Saltzman chronicles a five-year dialogue with the man who assaulted him during the civil rights movement.

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Film Review: “The Counselor” — Filled with Dark and Troubling Poetry

October 28, 2013
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Cormac McCarthy’s rambling but brilliant screenplay is given vigorous direction by Ridley Scott, whose elegant visual style captures the tense downward spiral of the film’s doomed characters.

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Movie Review: “12 Years a Slave” — The First Masterpiece of the New Black Cinema?

October 20, 2013
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With 12 YEARS A SLAVE, Steve McQueen, the brilliant British director of HUNGER and SHAME, has probably created the first masterpiece of the new black cinema.

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Theater Interview: A Conversation with Artistic Directors Olivia D’Ambrosio and Joseph Rodriguez

September 12, 2013
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Teaming up allows Bridge Rep, as a new company, to do a much, much bigger show than we might ordinarily be able to do: we can offer our audiences a large ensemble piece like The Libertine, which would be beyond our reach otherwise.

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Theater Interview: New Rep’s “Elephant Man” — A Meditation on Frailty, Celebrity, and Healthcare

September 6, 2013
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Why does John Merrick get a room in the London Hospital for the rest of his life? Because he’s charming and he’s witty, while the pinheads next door to him didn’t fare that well.

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Film Review: Levon Helm — An Appreciation of The Man from Turkey Scratch

September 3, 2013
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Musician Levon Helm’s folksy ideas about life, the anecdotes he shares, his reverence for American music and for the friends and comrades who gather around him, are inspirational.

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Film Review: “The Canyons” — Yucky But Likeable

August 31, 2013
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Lindsay Lohan is prostituting herself to a dreary vision of a Tinseltown shorn of even flickers of glory. And I like that.

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Film Review: “Ain’t Them Bodies Saints” — Superbly Simple Noir

August 23, 2013
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The understated soundtrack by Texas musician Daniel Hart and the ominous cinematography of Bradford Young complement director David Lowrey’s keen sense of pacing.

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