Tim Jackson
Is he a murderer? Is she? Who was the victim? His wife? The mistress? The Blue Room is Gone Girl French style, which means more sex, more art, and more enigma.
Read MoreThe good parts of The Judge make the its missteps more painful to watch.
Read MoreDirector David Fincher does a good job at making our skin crawl while we chuckle at the audacity of the goings-ons in Gone Girl.
Read MoreThe excellent E-Team documents a remarkable effort to investigate the abuse of human rights, an endeavor that, for the most part, goes unheralded in our mainstream media.
Read More“The music itself is quite Gothic. It’s about murder, and death, and God, not all toe tapping stuff.”
Read MoreThe Drop‘s characterizations never go beyond hapless noir archetypes, but sharp dialogue, superb performances, and the unpredictable convolutions of the plot keep the viewer on edge.
Read MoreDespite a few clichéd moments, Land Ho! is the satisfying product of the natural grace that Aaron Katz and Martha Stephens have developed as filmmakers.
Read MoreCalvary offers a dark vision to be sure, but every character, for all his or her troubles and cynicism, has a deep need for love and recognition.
Read MoreDespite Woody Allen’s recycling of old ideas and plot points, his actors give such strong characterizations that I tossed my skepticism aside and enjoyed the moonlit ride.
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