Tim Jackson
It is not a movie for every taste; in fact, it is as close to watching paint dry as a film can get. I mean that in a good way.
Director Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.
Personal Shopper poses questions about how technology and fashion are skewing our relationships and obliterating traditional notions of identity.
Two fine new plays in New York meditate on dealing with mortality.
The Wooster Group deconstruction adds layers of artificiality to what may or may not have been a serious event.
Search for who you are and stick to it, Mike Mills advises in his films, though it may not always be easy.
Rosamond Purcell’s striking photographs are about surprising transformations, the unexpected magic of metamorphosis.
Loving celebrates the passion and courage of two people who, by doing what was right for them, established justice for generations to come.
Arts Commentary: The Last Laugh — Stephen Colbert, Comedy, and Cultural Resistance