Tim Jackson
In this attempt to get at the ‘truth,’ the actors don’t play the roles, the roles play the actors.
Two plays from major American dramatists interrogate how we come up with the stories we tell about ourselves.
It is not a movie for every taste; in fact, it is as close to watching paint dry as a film can get. I mean that in a good way.
Director Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.
Personal Shopper poses questions about how technology and fashion are skewing our relationships and obliterating traditional notions of identity.
Two fine new plays in New York meditate on dealing with mortality.
The Wooster Group deconstruction adds layers of artificiality to what may or may not have been a serious event.
Search for who you are and stick to it, Mike Mills advises in his films, though it may not always be easy.
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