Robert Israel
An apocalyptic backdrop gives the play urgency, especially given the current worldwide struggle to contain the Corvid-19 virus, which has already claimed thousands of lives.
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I recommend this show for Lucian Freud’s highly polished craftsmanship, but his wry game of psychological hide-and-seek is not all that satisfying.
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While there is much to admire about Detroit Red’s script, there are serious problems with the staging.
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There have been times in the MFA’s past when it hasn’t lived up to its educational mission, when it has pandered to the whims of the wealthy — particularly its fat cat benefactors.
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Kudos for two short plays by Tennessee Williams and Yukio Mishma at this year’s Provincetown Tennessee Williams Theater Festival
Few of the numbers in Choir Boy fails to astonish.
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The Lyric Stage Company of Boston is giving this nostalgic hokum a spirited production.
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We are definitely feeling a sense of Buddy haunting us, to be sure. I mean, this theater is the place he visited. He attended many, if not most, of the shows here.
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The highlights of this year’s gathering will be productions of newly discovered or rediscovered works by both Tennessee Williams and Yukio Mishima.
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Arts Remembrance: Flutist Doriot Anthony Dwyer
Doriot Anthony Dwyer was a virtuoso flutist, one who could coax brightly burnished tones out of the instrument.
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