Robert Israel
Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
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Why has Bernard Weinraub chosen this secretive chapter of Miller’s life as fodder for his play?
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A resplendent and spirited revival of The Sound of Music in downtown Boston.
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But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
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In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”
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Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.
Read MoreThe late Larry Coen was a mainstay in Boston theater.
Read MoreDespite its drawbacks, this is a powerful production that speaks to what is happening today.
Read MoreWhen it comes to helping artists make a living, social media turns out to be a mixed blessing.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest