Peg Aloi
This year’s version of the iconic festival features a number of premieres, some restorations, and some screenings of well-loved cult classics, as well as a number of special guests.
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The Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
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In terms of genre, I would describe Wildflower as a sort of Hallmark Channel-style drama, a quirky but heartwarming tale of a scrappy girl who overcomes the odds to help her family stay together.
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A bit of spring cleaning this time around, with recommendations of some fairly recent viewing choices you may have missed.
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My second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.
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The three films I selected to start my 2023 Sundance journey were very different from one another, but they shared one common theme: girlhood.
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Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
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