Peg Aloi
This year’s version of the iconic festival features a number of premieres, some restorations, and some screenings of well-loved cult classics, as well as a number of special guests.
Read MoreThe Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
Read MoreIn terms of genre, I would describe Wildflower as a sort of Hallmark Channel-style drama, a quirky but heartwarming tale of a scrappy girl who overcomes the odds to help her family stay together.
Read MoreA bit of spring cleaning this time around, with recommendations of some fairly recent viewing choices you may have missed.
Read MoreMy second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.
Read MoreThe three films I selected to start my 2023 Sundance journey were very different from one another, but they shared one common theme: girlhood.
Read MoreFlux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
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