Peg Aloi
This limited series is not easy to watch, but “Painkillers” should be considered indispensable viewing because of the light it shines on the amoral face of corporate greed.
Read MoreWilliam Friedkin’s “The Exorcist” stands, 50 years on, as a primer on how to lure viewers in with striking, haunting imagery as a prelude to a previously unimaginable cinematic journey.
Read MoreDespite the lack of background or explanation for the occult item at the center of “Talk to Me,” I found it relatively easy to suspend my disbelief and become caught up in the story’s momentum.
Read More“The Lesson” is well-crafted, infused with nervy suspense and an almost Gothic sense of unease.
Read MoreThis incisive drama set during the height of Thatcherism doesn’t need to amplify its relevance.
Read MoreThis year’s version of the iconic festival features a number of premieres, some restorations, and some screenings of well-loved cult classics, as well as a number of special guests.
Read MoreThe Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
Read MoreIn terms of genre, I would describe Wildflower as a sort of Hallmark Channel-style drama, a quirky but heartwarming tale of a scrappy girl who overcomes the odds to help her family stay together.
Read MoreA bit of spring cleaning this time around, with recommendations of some fairly recent viewing choices you may have missed.
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