Peg Aloi
In a world that at times seems to have turned sour and colorless, “Wonka” brings much needed sweetness and beauty, making it a perfect diversion for the holiday season.
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The scenario may seem a bit too meta, but in director Todd Haynes’ deft hands, the tonal complexities of ” May December” are quite dizzying to behold.
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“Bluebeard’s Castle” is a sexy but subversive romance novel steeped in Gothic imagery.
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The film beautifully captures a dreamy-nightmare aesthetic, suggesting that Priscilla’s life with Elvis was turbulent roller coaster of romantic highs and materialistic hollowness.
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The Adams Family may be a low budget regional filmmaking collective, but it continues to raise the bar on horror art cinema.
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Closing out coverage of the London Film Festival: films from Catherine Breillat, Michael Winterbottom, Luna Carmoon, Robert Morgan, and Daniel Kokotajlo.
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It’s hard to pick favorites, but here are my top films from this year’s London Film Festival.
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The first of three review round-ups from this year’s London Film Festival’s excellent slate of films.
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This limited series is not easy to watch, but “Painkillers” should be considered indispensable viewing because of the light it shines on the amoral face of corporate greed.
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William Friedkin’s “The Exorcist” stands, 50 years on, as a primer on how to lure viewers in with striking, haunting imagery as a prelude to a previously unimaginable cinematic journey.
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